Description

Magnus Gabbro

Sequence Edit

and a good deal of retro-futuristic oddness to your patches

a chorus of tongues spouting silent mantras

This allows the user to have a reverb with +12 and -12 semitones of feedback

Dead Can Dance - Spleen and Ideal Pedal Magnus GabbroDead Can Dances second album, Spleen And Ideal (1985), saw them experiment more with instrumentation, abandoning guitars in favour of cello, trombone and timpani. Widely acclaimed, there was now a richness of unification between voice and music, lyrics and structure, showing they had a concrete sense of the aural ideal they were striving towards. Its title was taken from Spleen et Idal, a collection of poems by 18th century French poet Charles

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